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This film along with Sally of the Sawdust marked Griffith's return to working for an important Hollywood studio, (Paramount), something he hadn't experienced since leaving Biograph in 1914. He also had to work with a tight shooting script as Lasky and Zukor insisted the film be brought on schedule and on budget. He had been a partner with others in the formation of Triangle Studios in 1915 and United Artists in 1919. These ventures allowed him leeway in the way he made films. Gone was the more leisurely approach to filmmaking Griffith had enjoyed at his own Mamaroneck Long Island studio where he made films for United Artists release. Griffith had been for all intents and purposes an independent producer since leaving Biograph. Griffith shot That Royle Girl on locations across Chicago. The film’s climactic sequence, a devastating tornado, was filmed on a football field at Paramount’s Astoria Studio in Queens, New York, where Griffith created a fully built village. Griffith used the power of 24 airplane propellers to recreate the wreckage and ruin of the tornado’s fury. While the production was underway, Griffith added W. C. Fields to the cast for a comedy relief supporting role as the heroine’s inebriated stepfather. No print of That Royle Girl is known to exist in any archive or private collection. In 1980, the American Film Institute included this title among its list of the “Ten Most Wanted” lost films of all time. |
