| Music : |
|---|
| Song |
Artist |
Episode |
Notes |
|---|
| "Master of the House" from Les Misérables |
Robert Hossein, Claude-Michel Schönberg, and Alain Boublil |
"The Jacket" |
The chorus is sung repeatedly by George throughout the episode and is eventually sung by Alton Benes in the closing credits scene. |
| "How Do You Solve A Problem Like Maria?" from The Sound of Music |
Richard Rodgers and Oscar Hammerstein |
"The Phone Message" |
George suggests that they use the song as an emergency signal. |
| "Lemon Tree" |
Will Holt |
"The Phone Message" |
Jerry's suggestion. |
| "Good Morning" from Babes in Arms |
Arthur Freed and Nacio Herb Brown |
"The Apartment" |
Elaine sings it to show her happiness over getting the apartment. |
| "Joltin' Joe DiMaggio" |
Les Brown |
"The Note" |
The episode ends with this song. |
| Sonata No. 21 Op. 53 ("Waldstein") |
Ludwig van Beethoven |
"The Pez Dispenser" |
George sings a few measures to let Jerry know what Noel played for him. |
| Sonata No. 8 Op. 13 ("Pathétique") |
Ludwig van Beethoven |
"The Pez Dispenser" |
Elaine laughs during Noel's performance of the music. |
| "If I Were A Rich Man" from Fiddler on the Roof |
Jerry Bock and Sheldon Harnick |
"The Limo" |
George whistles the tune once in the episode in front of some neo-Nazis. |
| "Side by Side" |
Gus Kahn and Harry M. Woods |
"The Watch" |
Elaine and Joe Davola sing an impromptu duet outside Dr. Reston's office. |
| "This is It" (Bugs Bunny theme) |
Mack David and Jerry Livingston |
"The Opera" |
Jerry sings and dances ("Overture, curtain, lights/This is it, we'll hit the heights...") when Elaine mentions the Pagliacci overture. |
| "Vesti la giubba" from Pagliacci |
Ruggero Leoncavallo |
"The Opera" and "The Keys" |
It plays close to the opera. |
| "Parla Più Piano" (The Godfather theme) |
Nino Rota |
"The Bris" |
The episode ends with this theme. |
| Selected music from The Barber of Seville |
Gioachino Rossini |
"The Barber" |
The music replaces Seinfeld main bass synthesizer music. |
| "War" |
Norman Whitfield and Barrett Strong |
"The Marine Biologist" |
Jerry connects the song to Tolstoy, and Elaine sings "Absoutely nothing" in the limo with Lippman and Testikov |
| "Wouldn't It Be Nice" |
The Beach Boys |
"The Hamptons" |
Cover version performed by another band |
| "It's a Most Unusual Day" |
Harold Adamson and Jimmy McHugh |
"The Chaperone" |
At the end of the episode, Miss Rhode Island sings the song in the talent portion of the Miss America Pageant. |
| "Entrance of the Gladiators" |
Julius Fučík |
"The Gymnast" |
This is the circus music being played backstage when Jerry and Katya are visiting Misha. |
| "Everybody's Talkin'" |
Harry Nilsson |
"The Mom & Pop Store" |
George sings this song after buying a car supposedly owned by Jon Voight. Also featured at the end of the episode, when Kramer and Jerry ride to New Jersey to find Jerry's shoes. The scene is a reference to the film Midnight Cowboy, which featured the song (and co-starred Voight). |
| Superman theme |
John Williams |
"The Race" and "The Clip Show" |
Played when Jerry wins the race and during past reflection of Seinfeld episodes. |
| "When You're Smiling" |
Shay, Fisher, and Goodwin |
"The Jimmy" |
Mel Tormé sings the song to Kramer at a benefit for the Able Mentally Challenged Adults. |
| "Wind Beneath My Wings" |
Bette Midler |
"The Understudy" |
We hear the soundtrack as Jerry and Gennice watch Beaches. |
| "Final Frontier" (theme from Mad About You) |
Paul Reiser and Don Was |
"The Engagement" |
George and Susan are watching Mad About You in bed. |
| Symphony No. 7, Op. 92 (4th mvmt.) |
Ludwig van Beethoven |
"The Maestro" |
The Maestro is listening in his car and conducting along as he drives up. |
| "La donna è mobile" from Rigoletto |
Giuseppe Verdi |
"The Maestro" |
Elaine sings it as she gets into the Maestro's car. |
| "Funiculì, Funiculà" |
Luigi Denza |
"The Maestro" |
Plays in the scene where Elaine jumps into the Maestro's car and he begins conducting. |
| "O Mio Babbino Caro" from Gianni Schicchi |
Giacomo Puccini |
"The Maestro" |
Elaine and the Maestro are listening to it as Jerry and Kramer arrive at the villa in Tuscany. |
| Piano Concerto No. 1, Op. 23 (1st mvmt.) |
Pyotr Ilyich Tchaikovsky |
"The Doll" |
When it comes on, the Maestro suspends his pool game with Frank and Kramer to conduct along. |
| Overture to The Marriage of Figaro |
Wolfgang Amadeus Mozart |
"The Doll" |
The Maestro begins to conduct the opening piece of his concert and finds his baton is broken. |
| "Downtown" |
Petula Clark |
"The Bottle Deposit" |
George looks for clues about his work assignment when Wilhelm mentions the song to him. |
| "Morning Train (9 to 5)" |
Sheena Easton |
"The Bizarro Jerry" and "The Butter Shave" |
Kramer and George in separate episodes have brief stints in going to work. |
| "Shining Star" |
Earth, Wind & Fire |
"The Little Kicks" and "The Bookstore" |
Elaine does the infamous dry heave dance to this song. |
| "Adagio for Strings" |
Samuel Barber |
"The Fatigues" |
Frank Costanza has a flashback of his days as a cook in the Korean War. This scene (and its music) is a reference to Platoon. |
| "Desperado" and "Witchy Woman" |
Eagles |
"The Checks" |
Elaine's boyfriend gets obsessed with "Desperado" while Elaine tries to offer "Witchy Woman" as "their" song (a doctor later "zones out" to the latter). |
| Theme from The Greatest American Hero |
Joey Scarbury |
"The Susie" |
The message on George's answering machine has him singing his own words to this song. |
| "Three Times a Lady" |
The Commodores |
"The Pothole" |
Newman sings this song just before his mail truck catches fire at the end of the episode. |
| "Heartbreaker" |
Pat Benatar |
"The Nap" |
Steinbrenner can't get the song out of his mind and keeps trying to sing it. |
| "Meet the Mets" |
Ruth Roberts and Bill Katz |
"The Millennium" |
George sings this song after learning that the New York Mets would like to hire him, provided he gets himself fired from the Yankees. |
| "Hello" |
Lionel Richie |
"The Voice", "The Engagement" and "The Invitations" |
The song shows a reflection of their life. |
| "Mañana (Is Soon Enough For Me)" |
Jackie Davis |
"The Blood" |
Kramer and Newman listen to a recording of it while making sausages. |
| "Slow Ride" |
Foghat |
"The Slicer" |
Elaine tunes into her bedside radio and offers up a few characteristic dance moves. |
| "In-A-Gadda-Da-Vida" |
Iron Butterfly |
"The Slicer" |
Elaine makes an attempt to phone the locksmith. |
| "Mexican Radio" |
Wall of Voodoo |
"The Reverse Peephole" |
Kramer sings this as he is reversing his peephole. It is also featured at the end of the episode after the credits. |
| "Good Riddance (Time of Your Life)" |
Green Day |
"The Chronicle" |
Behind the scenes throughout the series. |
| "Don't Stop 'Til You Get Enough" |
Michael Jackson |
"The Chronicle" |
Clips of the gang dancing in the series. |
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