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Saturday Night Fever

Saturday Night Fever
Theatrical release poster
Film information
NameSaturday Night Fever
Directed byJohn Badham
Produced byRobert Stigwood
StarringJohn Travolta
Karen Lynn Gorney
Barry Miller
Paul Pape
Donna Pescow
Bruce Ornstein
Martin Shakar
Julie Bovasso
Fran Drescher
Music byBarry Gibb
Maurice Gibb
Robin Gibb
David Shire
CinematographyRalf D. Bode
Editing byDavid Rawlins
Distributed byParamount Pictures
Release dateDecember 14, 1977
March 1978 (PG cut)
Running time118 minutes
112 minutes (PG cut)
CountryUnited States
LanguageEnglish
Gross revenue$237,113,184
Followed byStaying Alive

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'Saturday Night Fever' is a 1977 drama film starring John Travolta as Tony Manero, an immature young man whose weekends are spent visiting a local Brooklyn discothèque; Karen Lynn Gorney as his dance partner and eventual friend (they never do date in the film and the film closes with their agreement to be friends), and Donna Pescow as Tony's former dance partner and would-be girlfriend. While in the disco, Tony is the king. His care-free youth and weekend dancing help him to temporarily forget the reality of his life: a dead-end job, clashes with his unsupportive and squabbling parents, racial tensions in the local community, and his associations with a gang of macho friends.

A huge commercial success, the film significantly helped to popularize disco music around the world and made Travolta, already well known from his role on TV's Welcome Back, Kotter, a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, is the best selling soundtrack of all time. The film is the first example of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, pre-AIDS sexual promiscuity, and graceful choreography.

The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night". In the late 1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about. The characters who became Tony Manero and his friends were based on Mods, a British youth movement that also placed great importance on music, clothes, and dancing.


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